Sarah Bellin is an American stage director who has been freelancing in the Zürich, Switzerland area since 2011. Recent productions include: POISON by Lot Vekemanns (Turbine Theater, 2017); set design & video projections for LOKALBERICHT by Hermann Burger, stage adaptation by Robert Hunger-Bühler (Theater Tuchlaube, Aarau); DADA before DADA (Zürcher Festspiele @ Miller's, Zürich 2016); THE MURDER ROOM by Jack Sharkey (Cheernagel Büüni, Bachenbülach, 2016); THE KREUTZER SONATA adapted from the novella by Tolstoy (Keller62, Zürich 2015); THE CHERRY ORCHARD by Anton Chekhov (Turbine Theater, 2013); THE ARSONISTS by Max Frisch (Theater Purpurrot, Freienstein, 2014). Sarah holds an MFA in directing from the New School for Drama in NYC and an MA in Film Directing from the Zürich University of the Arts. 


Sarah Bellin geboren 1985 in New York City, studierte Regie an der New School for Drama (NYC) und der Zürcher Hochschule der Künste. Freischaffende Regisseurin seit 2011. Letzte Produktionen: <DADA vor DADA: The Story of a Cat, a Bat, and some Executioners> von stringsaTTached (Theater Stok, Turbine Theater, Miller's 2016), <Die Kreutzersonate> nach Lew Tolstoi (Keller62, Zürich 2015); <Die Kaktusblüte> nach der Film von Abe Burrows (Cheernagelbüüni, 2015); <Biedermann und die Brandstifter> von Max Frisch (Theater Purpurrot, Freienstein 2014); <Der Kirschgarten> von Tschechow (Turbine Theater, Langnau a.A. 2013).